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Now showing items 101-200 of 368
(Doctoral thesis / Doktoravhandling, 2010)
The “PoumTchak” pattern is a rhythmic pattern consisting of a continuous alternation between bass drum and hi-hat sounds. It forms the basic rhythmic structure in myriads of dance music tracks. This suggests a connection ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2007)
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
The Passacaglia finale from György Ligeti's Le Grand Macabre (1974–7, rev. 1996) has been described as a point of stylistic crisis, marking Ligeti's return to more traditional compositional means. Consonances and tonal ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
The paper presents results from an experiment in which 91 subjects stood still on the floor for 6 minutes, with the first 3 minutes in silence, followed by 3 minutes with mu- sic. The head motion of the subjects was captured ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2016)
The pulse level in music is often described as a series of isochronous beats that provides an underlying reference structure against which we perceive rhythmic patterns. This notion is challenged by music styles that seem ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
This paper explores sonic microinteraction using muscle sensing through the Myo armband. The first part presents results from a small series of experiments aimed at finding the baseline micromotion and muscle activation ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
The attack phase of sound events plays an important role in how sounds and music are perceived. Several approaches have been suggested for locating salient time points and critical time spans within the attack portion of ...
Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
The perception of musical meter is fundamental for rhythm production and perception in much music. Underlying structures such as pulse, meter, and metrical subdivisions are often described as successive points in time. ...
(Doctoral thesis / Doktoravhandling, 2013)
Barn i barnehagealder har rik tilgang til musikk. Kanskje har de allerede som seksåringer hørt mer musikk enn deres oldeforeldre gjorde gjennom et helt liv. Men hvorfor hører barn på musikk? Hva betyr musikken for barna ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2014)
Human body motion is integral to all parts of musical experience, from performance to perception. But how is it possible to study body motion in a systematic manner? This article presents a set of video-based visualisation ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
Simultaneous handling and synchronisation of data related to music, such as score annotations, MIDI, video, motion descriptors, sensor data, etc. requires special tools due to the diversity of this data. We present a toolbox ...
(Book / Bok / PublishedVersion; Peer reviewed, 2011)
Editors: Alexander Refsum Jensenius, Anders Tveit, Rolf Inge Godøy, Dan Overholt
Table of Contents
-Tellef Kvifte: Keynote Lecture 1: Musical Instrument User Interfaces: the Digital Background of the Analog Revolution ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
With musical applications in mind, this paper reports on the level of noise observed in two commercial infrared marker-based motion capture systems: one high-end (Qualisys) and one affordable (OptiTrack). We have tested ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
Spectral flux is usually measured with the FFT, but here a constant-Q IIR filterbank implementation is proposed. This leads to a relatively efficient sliding feature extractor with the benefit of keeping the time resolution ...
(Doctoral thesis / Doktoravhandling, 2016)
This thesis investigates the interaction between perceived rhythm and underlying reference structures in the experience of rhythm in music. The point of departure is that both music performers’ and perceivers’ body motions ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
The paper presents a non-realtime implementation of the sonomotiongram method, a method for the sonification of motiongrams. Motiongrams are spatiotemporal displays of motion from video recordings, based on frame-differencing ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
A partir de las memorias sonoras de los pasajeros del transporte público subterráneo en Londres, México y París, creé el sitio interactivo en internet Sounding Underground. Esta interfaz articula estructural y aleatoriamente ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2016)
This paper addresses how to determine a sufficient frame (sampling) rate for an optical motion tracking system using passive reflective markers. When using passive markers for the optical motion tracking, avoiding identity ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
This paper provides an overview of the process of editing the forthcoming anthology “A NIME Reader—Fifteen years of New Interfaces for Musical Expression.” The selection process is presented, and we reflect on some of the ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
This workshop will explore the potential creation of a community database of digital musical instrument (DMI) designs. In other research communities, reproducible research practices are common, including open-source software, ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
Despite increasingly accessible and user-friendly multi-channel compositional tools, many composers still choose stereo formats for their work, where the compositional process is allied to diffusion performance over a ...
(Chapter / Bokkapittel / SubmittedVersion, 2010)
This chapter starts with a review of some current definitions of "gesture". The second part presents a conceptual framework for differentiating various functional aspects of gestures in music performance. The third part ...
(Doctoral thesis / Doktoravhandling, 2012)
Autonomous instruments are computer programmes that generate music algorithmically and without realtime interaction, from the waveform level up to the large scale form. This thesis addresses questions of aesthetics and the ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
The paper presents the Kinectofon, an instrument for creating sounds through free-hand interaction in a 3D space. The instrument is based on the RGB and depth image streams retrieved from a Microsoft Kinect sensor device. ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
Apart from the sounds they make, synthesis models are distinguished by how the sound is controlled by synthesis parameters. Smoothness under parameter changes is often a desirable aspect of a synthesis model. The concept ...
(Research report / Forskningsrapport, 1993)
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
Artikkelen problematiserer den rollen svart rytmisk musikk har spilt innenfor populærmusikkfeltet i etterkrigstiden. Den begynner med en gjennomgang av den historiske bakgrunnen for forestillingen om svart rytme som ...
(Doctoral thesis / Doktoravhandling, 2022)
This thesis is about sound and space, and is an exploration of sounds and spaces using Pierre Schaeffer’s sound object theory. It addresses aesthetic and experimental approaches to the exploration of spatial audio and ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
Despite the rise of global online music services like iTunes and Spotify, local and physical music retailers are not extinct. Although many have faced redundancy, others are turning their local presence and technological ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
The use of computers is continuously changing the sound of records but also increasingly challenging established forms of live concert aesthetics. So what becomes of creativity and expressivity in the live performance? In ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
Many common and popular sound spatialisation techniques and methods rely on listeners being positioned in a “sweet-spot” for an optimal listening position in a circle of speakers. This paper discusses a stochastic ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
This chapter presents an overview of some methodological approaches and technologies that can be used in the study of music-related body motion. The aim is not to cover all possible approaches, but rather to highlight some ...
(Chapter / Bokkapittel, 2012)
In this paper we will present the first results of an ongoing explorative, qualitative study based on a comparison of transcriptions from a total of 58 GIM sessions, all guided by AMI Fellow Svein Fuglestad. The goal of ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
Nikolay Myaskovsky (1881–1950) was highly esteemed as a Soviet composer, only surpassed by Prokofiev and Shostakovich among his contemporaries, and in the West famous conductors like Stokowski and Furtwängler performed his ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2017)
This article describes how percussive interaction informed the design, development and deployment of a series of touchscreen digital musical instruments for ensembles. Percussion has previously been defined by techniques ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2015)
I have never been quite convinced by the way the story of ‘high modernism’ has generally been told. More often than not, it has been a saga of radical ruptures and new starts—a ‘progress narrative’ involving limitless ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2015)
This article is about what recordings are made of, and about what happens to those recordings when they are disposed of. It inscribes a history of recorded music in three main materials: shellac, plastic and data. These ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
We present a method for tempo estimation from audio re-cordings based on signal processing and peak tracking, andnot depending on training on ground-truth data. First anaccentuation curve, emphasising the temporal location ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2018)
As part of the Copenhagen workshop of the Evaluating Methods of Aesthetic Inquiry Network, which took place from the 6th to 8th of April 2017, the organisers invited accordionist Andreas Borregaard to give a performance ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
Head movements of groups of participants moving to music allowing for both duple and triple subdivisions were analysed using Recurrence Quantification Analysis. As expected the maximum recurrence rate varied between ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2018)
Despite a growing awareness of gender bias in the music sector, there is a lack of research into the particular ways in which this imbalance manifests itself in contemporary music culture. This article combines data from ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
This paper argues that the Husserlian notion of “passive synthesis” can make a substantial contribution to the understanding of aesthetic experience. The argument is based on two empirical cases of qualitative interview ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
We present a method for tempo estimation from audio recordings based on signal processing and peak tracking, and not depending on training on ground-truth data. First, an accentuation curve, emphasizing the temporal location ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2018)
Our integrative framework for explaining the enjoyment of sadness associated with music sparked a delightful number (13) of commentaries which challenge, stimulate, strengthen and shape the ideas we initially put forward. ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
This paper describes a multidisciplinary encounter with oral testimony archives and their incorporation in the artistic research project Intimal. It explores ways in which to creatively listen to stories which might be ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
In this paper we introduce a hardware platform to proto- type interfaces of demanding sonic interactive systems. We target applications featuring a large array of analog sensors requiring data acquisition and transmission ...
(Doctoral thesis / Doktoravhandling, 2017)
With a specific focus on contemporary pop music, this dissertation frames a range of gender issues within an examination of audiovisual aesthetics and personal narrativity. Entering from the field of critical musicology, ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
In recent decades, we have seen a surge in published work on embodied music cognition, and it is now broadly accepted that musical experience is intimately linked with experiences of body motion. It is also clear that music ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
The relationships between human body motion and music have been the focus of several studies characterizing the correspondence between voluntary motion and various sound features. The study of involuntary movement to music, ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
Mechanical Entanglement is a musical composition for three performers. Three force feedback devices each containing two haptic faders are mutually coupled using virtual linear springs and dampers. During the composition, ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
This paper describes the process of developing a shared instrument for music–dance performance, with a particular focus on exploring the boundaries between standstill vs motion, and silence vs sound. The piece Vrengt grew ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
How do artists use copyright to further their creative ends? To approach this question, this article focuses on the relationship between artists’ appropriation of digital technology and exertion of their rights. In particular, ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2014)
We consider the issue of how a flexible musical space can be manipulated by users of an active music system. The musical space is navigated within by selecting transitions between different sections of the space. We take ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
One of Pierre Schaeffer’s achievements in his musical research was his proposal of the sound object as a basic unit of musical experience and his insistence on listening as a main focus of research. Out of this research ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
Nikolay Myaskovsky (1881–1950) was highly esteemed as a Soviet composer, only surpassed by Prokofiev and Shostakovich among his contemporaries, and in the West famous conductors like Stokowski and Furtwängler performed his ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
This chapter examines ambience as it was defined in Brian Eno's liner notes in Ambient 1: Music for Airports and from John Cage's experiences leaning up to the composition of 4'33'', in regards to the background and the ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
We present a new system for real-time visualisation of music performance, focused for the moment on a fugue played by a string quartet. The basic principle is to offer a visual guide to better understand music using ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2019)
The links between music and human movement have been shown to provide insight into crucial aspects of human’s perception, cognition, and sensorimotor systems. In this study, we examined the influence of music on movement ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
In speech and music, the acoustic and perceptual onset(s) of a sound are usually not congruent with its perceived temporal location. Rather, these "P-centers" are heard some milliseconds after the acoustic onset, and a ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Mange av dagens internettplattformer bruker automatiske og algoritmiske verktøy for å gjenkjenne og moderere uønsket innhold, inkludert det som blir ansett for å krenke opphavsretten. Denne artikkelen undersøker hvordan ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
Virtuosity in music performance is often associated with fast, precise, and efficient sound-producing movements. The generation of such highly skilled movements involves complex joint and muscle control by the central ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
Agency is a concept employed widely and in varied ways across interdisciplinary music studies, from the philosophical to the experimental scientific. This article explores some of the theories and methodologies that inform ...
(Doctoral thesis / Doktoravhandling, 2019)
The aim of this dissertation is to understand the role of embodiment in melodic contour perception. In other words, it studies how we move our bodies in response to music. Melodies play an important role in both speech and ...
(Doctoral thesis / Doktoravhandling, 2013)
Technological mediation has been imperative to popular music's production throughout its history. In addition to their impact upon the means of producing popular music, new developments in technology have always had an ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2017)
The present study investigates how people move and relate to each other – and to the dance music – in a club-like setting created within a motion capture laboratory. Three groups of participants (29 in total) each danced ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
The chapter starts by discussing the importance of body movement in both music performance and perception, and argues that for future research in the field it is important to develop solutions for being able to stream and ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2013)
The purpose of this paper is to provide some historical perspective on the so-called loudness war. Critics of the loudness war maintain that the average volume level of popular music recordings has increased dramatically ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
This paper investigates the importance of forming the virtual space in recorded music. With a production-analytical model called the sound-space I seek to draw attention to the ways in which spatiality in recorded sound ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2014)
Loudspeakers are everywhere in the built environment. Indeed, music, sound, and listening today are arguably defned by their apparently inevitable mediation by an electronically amplifed loudspeaker. But it wasn’t always ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2015)
Music technology undergraduate degree programmes are a relatively new phenomenon in British higher education, situated at the intersection of music, digital technologies, and sound art. Such degrees have exploded in ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
The chapter is taken from the book: The Oxford Handbook of Music and Virtuality edited by Sheila Whiteley and Shara Rambarran, 2016, reproduced by permission of Oxford University Press https://doi.org/10.1093/oxfordhb/97 ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2021)
The topic of gesture has received growing attention among music researchers over recent decades. Some of this research has been summarized in anthologies on "musical gestures", such as those by Gritten and King (2006), ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
This paper describes the process of developing a standstill performance work using the Myo gesture control armband and the Bela embedded computing platform. The combination of Myo and Bela allows a portable and extensible ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
This is an Accepted Manuscript of a book chapter published by Routledge in Musical Rhythm in the Age of Digital Reproduction in 2013, available online: http://www.routledge.com/9781138246843
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
This is an Accepted Manuscript of a book chapter published by Bloomsbury Academic in Critical Approaches to the Production of Music and Sound on 11-01-2018 , available online: https://www.bloomsbury.com/9781501332050
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
Ernst Krenek’s opera Jonny spielt auf (1927) was, according to the composer, concerned with ‘the problem of freedom’. But in what ways did it grapple with this problem? This article offers a new interpretation of Krenek’s ...
(Journal article / Tidsskriftartikkel / SubmittedVersion, 2016)
This special issue examines the politics of gender in relation to higher education, creative practices and historical processes in electronic music, computer music and sound art. The starting point is a summary of research ...
(Chapter / Bokkapittel / SubmittedVersion, 2017)
Abstract: Sound-producing body motion and associated body postures shape musical sound in interaction with musical instruments or the vocal apparatus, making images of such body motion and postures integral to our experiences ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
THIS STUDY REPORTS ON AN EXPERIMENT THAT tested whether drummers systematically manipulated not only onset but also duration and/or intensity of strokes in order to achieve different timing styles. Twenty-two professional ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
The present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
This essay uses the Deleuzo-Guattarian concept of the war machine to develop a way of thinking about research-creation, following Erin Manning’s suggestion that the latter—as a hyphenated compound structure—can function ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Previous studies have revealed uneven duration patterns at the sixteenth note level of samba. In the present study, we investigated the influence of tempo on such sixteenth-note patterns in a performed samba groove.The ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
This paper articulates the design for the first stage of INTIMAL: a physical/virtual embodied interactive system for relational listening in the context of human migration, set within the artistic practice of improvisatory ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Pairing high-intensity interval training (HIIT) with motor skill acquisition may improve learning of some implicit motor sequences (albeit with some variability), but it is unclear if HIIT enhances explicit learning of ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
We investigated “musical effort” with an internationally renowned, classical, pianist while playing, listening, and imagining music. We used pupillometry as an objective measure of mental effort and fMRI as an exploratory ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
This article explores trends and motivations in the selection of plainchant and vernacular song quotations as the foundations of thirteenth-century motets. I argue that particular tenor melodies that received only cursory ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
RaveForce is a programming framework designed for a computational music generation method that involves audio sample level evaluation in symbolic music representation generation. It comprises a Python module and a SuperCollider ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Previous studies on individual differences in pupil size of healthy individuals and their relation to performance have been inconclusive. Using a novel approach, we tested the effect of general cognitive abilities and level ...
(Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
In this chapter, the author begins with a discussion of different notions of metre, and clarifies how she use the term, and offers a brief presentation of the theory of entrainment and dynamic attending, before turning to ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
The intervention of digital service providers (DSPs) or platforms, such as Spotify Apple Music and Tidal, that supply streamed music has fundamentally altered the operation of copyright management organisations (CMOs) and ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
In this paper, we present a workshop of physical computing applied to NIME design based on science, technology, engineering, arts, and mathematics (STEAM) education. The workshop is designed for master students with ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
How can ethnography and music theory and analysis richly inform one another? One way is to incorporate the words and concepts used by high-level practitioners to build a theoretical scaffolding—to build an analytic framework ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
Having “good rhythm” is essential in both music and competitive rowing, but what exactly constitutes “good rhythm,” and how do we achieve it? Although rhythm is often discussed in purely auditory terms, I argue that rhythm ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
In this paper, we present a course of audio programming using web audio technologies addressed to an interdisciplinary group of master students who are mostly beginners in programming. This course is held in two connected ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
We examine two “producer-oriented” audio distribution platforms, SoundCloud and Bandcamp, which have been important repositories for the hopes of musicians, commentators, and audiences that digital technologies and cultural ...
(Doctoral thesis / Doktoravhandling, 2020)
The yoik is a vocal technique practised by the Sámi of Northern Europe. It relies on circular melodies, chanted in everyday life and a cappella, with or without lyrics. Each melody evokes a particular being, usually a ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
Previous studies have shown that music may lead to spontaneous body movement, even when people try to stand still. But are spontaneous movement responses to music similar if the stimuli are presented using headphones or ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
Many people enjoy sad music, and the appeal for tragedy is widespread among the consumers of film and literature. The underlying mechanisms of such aesthetic experiences are not well understood. We tested whether pleasure ...