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(Master thesis / Hovedoppgave, 2002)
Goals
With the development of choral singing during the past century, it became imperative to perform different musical genres and cultures in its authentic style. This study tries to show the importance of sound to ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
Many practices of contemporary DJ-driven electronic dance music derive from 1970s club scenes in the United States, which were welcoming spaces for people who otherwise encountered prejudice for their gender identities and ...
(Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
The paper presents a conceptual overview of how optical infrared marker based motion capture systems (IrMoCap) can be used in musical interaction. First we present a review of related work of using IrMoCap for musical ...
(Master thesis / Masteroppgave, 2021)
(Master thesis / Masteroppgave, 2014)
Oppgaven omhandler problemstillingen hvordan man som sangpedagog kan hjelpe sangeleven å finne sin vokale identitet og er en empirisk studie. I søken etter vår vokale identitet er det flere faktorer som må tas i betrakning. ...
(Doctoral thesis / Doktoravhandling, 2009)
Musikk og mental modus: En intervjuundersøkelse om musikk kan være til hjelp i hverdagen for psykisk syke. Begrenset tilgang
(Master thesis / Masteroppgave, 2014)
Denne oppgaven setter søkelyset på hvordan mennesker som opplever psykisk sykdom bruker musikk i hverdagen. Empirien er basert på fire fenomenologiske dybdeintervjuer som jeg gjennomførte våren og høsten 2013. Ett av ...
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 1984)
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
What is recognized as the Norwegian composer Fartein Valen’s international breakthrough took place at the 1947 festival of ISCM (International Society for contemporary Music) in Copenhagen. This article investigates what ...
(Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
Streaming services for music are growing worldwide, and the Nordic countries are leading the way. In Norway, streaming represented 88 percent of digital music revenues in 2014, as opposed to 23 percent globally. In essence, ...