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Trauma, Aesthetic Treatment, and Intermediality: Das Haus der Lüge (1926)

dc.date.accessioned2023-01-26T17:48:49Z
dc.date.available2023-01-26T17:48:49Z
dc.date.created2023-01-12T18:02:58Z
dc.date.issued2022
dc.identifier.citationHolt, Thor . Trauma, Aesthetic Treatment, and Intermediality: Das Haus der Lüge (1926). Silent Ibsen. Transnational Film Adaptation in the 1910s and 1920s. 2022, 189-221. Oslo: National Library of Norway
dc.identifier.urihttp://hdl.handle.net/10852/99291
dc.languageEN
dc.publisherNational Library of Norway
dc.relation.ispartofNota Bene
dc.relation.ispartofseriesNota Bene
dc.titleTrauma, Aesthetic Treatment, and Intermediality: Das Haus der Lüge (1926)
dc.title.alternativeENEngelskEnglishTrauma, Aesthetic Treatment, and Intermediality: Das Haus der Lüge (1926)
dc.typeChapter
dc.creator.authorHolt, Thor
cristin.unitcode185,14,35,70
cristin.unitnameSenter for Ibsenstudier
cristin.ispublishedtrue
cristin.fulltextoriginal
dc.identifier.cristin2106010
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Silent Ibsen. Transnational Film Adaptation in the 1910s and 1920s&rft.spage=189&rft.date=2022
dc.identifier.startpage189
dc.identifier.endpage221
dc.identifier.pagecount247
dc.type.documentBokkapittel
dc.type.peerreviewedPeer reviewed
dc.source.isbn9788279655275
dc.type.versionPublishedVersion
cristin.btitleSilent Ibsen. Transnational Film Adaptation in the 1910s and 1920s


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