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dc.date.accessioned2022-10-27T15:47:33Z
dc.date.available2022-10-27T15:47:33Z
dc.date.created2022-10-21T07:51:01Z
dc.date.issued2022
dc.identifier.citationDevine, Kyle . Sustainability, Solutionism, and the Problem of Music. Vibes. 2022, 2, 85-95
dc.identifier.urihttp://hdl.handle.net/10852/97355
dc.description.abstractIn this interview, Kyle Devine and Christoph Jacke discuss how the worlds of popular music, and popular music research, are responding to climate issues. They touch on Devine’s recent books, Decomposed (2019) and Audible Infrastructures (2021), as well as the book he is currently finishing: Recomposed: Music Climate Crisis Change. The discussion takes a critical, reflexive perspective in relation to several key issues in popular music’s (and wider culture’s) mainstream climate discourse: sustainability, solutions, crisis, capital, class structure, responsibilization, environmental humanities—even music as such. One of Devine’s central points is that much climate thinking, and many responses to climate issues, actually keep the secrets they pretend to tell.
dc.languageEN
dc.rightsAttribution 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.titleSustainability, Solutionism, and the Problem of Music
dc.title.alternativeENEngelskEnglishSustainability, Solutionism, and the Problem of Music
dc.typeJournal article
dc.creator.authorDevine, Kyle
dc.creator.authorJacke, Christoph
cristin.unitcode185,14,36,3
cristin.unitnameIMV stab
cristin.ispublishedtrue
cristin.fulltextoriginal
dc.identifier.cristin2063460
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Vibes&rft.volume=2&rft.spage=85&rft.date=2022
dc.identifier.jtitleVibes
dc.identifier.volume2
dc.identifier.startpage85
dc.identifier.endpage95
dc.type.documentTidsskriftartikkel
dc.type.peerreviewedPeer reviewed
dc.source.issn2748-6389
dc.type.versionPublishedVersion


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