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dc.date.accessioned2022-09-05T15:30:16Z
dc.date.available2022-09-05T15:30:16Z
dc.date.created2022-08-29T20:56:57Z
dc.date.issued2022
dc.identifier.citationJuslin, Patrik N. Sakka, Laura S. Barradas, Gonçalo T. Lartillot, Olivier . Emotions, mechanisms, and individual differences in music listening: A stratified random sampling approach. Music Perception. 2022, 40(1), 55-86
dc.identifier.urihttp://hdl.handle.net/10852/96023
dc.description.abstractEmotions have been found to play a paramount role in both everyday music experiences and health applications of music, but the applicability of musical emotions depends on: 1) which emotions music can induce, 2) how it induces them, and 3) how indi- vidual differences may be explained. These questions were addressed in a listening test, where 44 participants (aged 19–66 years) reported both felt emotions and subjective impressions of emotion mechanisms (Mec Scale), while listening to 72 pieces of music from 12 genres, selected using a stratified random sampling pro- cedure. The results showed that: 1) positive emotions (e.g., happiness) were more prevalent than negative emotions (e.g., anger); 2) Rhythmic entrainment was the most and Brain stem reflex the least frequent of the mechanisms featured in the BRECVEMA theory; 3) felt emotions could be accurately predicted based on self- reported mechanisms in multiple regression analyses; 4) self-reported mechanisms predicted felt emotions better than did acoustic features; and 5) individual listeners showed partly different emotion-mechanism links across stimuli, which may help to explain individual differences in emotional responses. Implications for future research and applications of musical emotions are discussed.
dc.languageEN
dc.titleEmotions, mechanisms, and individual differences in music listening: A stratified random sampling approach
dc.title.alternativeENEngelskEnglishEmotions, mechanisms, and individual differences in music listening: A stratified random sampling approach
dc.typeJournal article
dc.creator.authorJuslin, Patrik N.
dc.creator.authorSakka, Laura S.
dc.creator.authorBarradas, Gonçalo T.
dc.creator.authorLartillot, Olivier
cristin.unitcode185,14,36,95
cristin.unitnameRITMO Musikkvitenskap
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.cristin2046941
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Music Perception&rft.volume=40&rft.spage=55&rft.date=2022
dc.identifier.jtitleMusic Perception
dc.identifier.volume40
dc.identifier.issue1
dc.identifier.startpage55
dc.identifier.endpage86
dc.identifier.doihttps://doi.org/10.1525/mp.2022.40.1.55
dc.identifier.urnURN:NBN:no-98538
dc.type.documentTidsskriftartikkel
dc.type.peerreviewedPeer reviewed
dc.source.issn0730-7829
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/96023/1/Juslin%2Bet%2Bal%2B2022.pdf
dc.type.versionPublishedVersion
dc.relation.projectNFR/287152
dc.relation.projectNFR/262762


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