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dc.date.accessioned2021-12-21T16:20:33Z
dc.date.available2021-12-21T16:20:33Z
dc.date.created2021-12-04T09:11:40Z
dc.date.issued2021
dc.identifier.citationDanielsen, Anne Nymoen, Kristian Langerød, Martin Torvik Jacobsen, Eirik Johansson, Mats Sigvard London, Justin . Sounds familiar(?): Expertise with specific musical genres modulates timing perception and micro-level synchronization to auditory stimuli. Attention, Perception & Psychophysics. 2021
dc.identifier.urihttp://hdl.handle.net/10852/89723
dc.description.abstractAbstract Musical expertise improves the precision of timing perception and performance – but is this expertise generic, or is it tied to the specific style(s) and genre(s) of one’s musical training? We asked expert musicians from three musical genres (folk, jazz, and EDM/hip-hop) to align click tracks and tap in synchrony with genre-specific and genre-neutral sound stimuli to determine the perceptual center (“P-center”) and variability (“beat bin”) for each group of experts. We had three stimulus categories – Organic, Electronic, and Neutral sounds – each of which had a 2 × 2 design of the acoustic factors Attack (fast/slow) and Duration (short/long). We found significant effects of Genre expertise, and a significant interaction for both P-center and P-center variability: folk and jazz musicians synchronize to sounds typical of folk and jazz in a different manner than the EDM/hip-hop producers. The results show that expertise in a specific musical genre affects our low-level perceptions of sounds as well as their affordance(s) for joint action/synchronization. The study provides new insights into the effects of active long-term musical enculturation and skill acquisition on basic sensorimotor synchronization and timing perception, shedding light on the important question of how nature and nurture intersect in the development of our perceptual systems.
dc.languageEN
dc.publisherPsychonomic Society Inc
dc.rightsAttribution 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.titleSounds familiar(?): Expertise with specific musical genres modulates timing perception and micro-level synchronization to auditory stimuli
dc.typeJournal article
dc.creator.authorDanielsen, Anne
dc.creator.authorNymoen, Kristian
dc.creator.authorLangerød, Martin Torvik
dc.creator.authorJacobsen, Eirik
dc.creator.authorJohansson, Mats Sigvard
dc.creator.authorLondon, Justin
cristin.unitcode185,14,36,95
cristin.unitnameRITMO Senter for tverrfaglig forskning på rytme, tid og bevegelse (IMV)
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.cristin1964663
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Attention, Perception & Psychophysics&rft.volume=&rft.spage=&rft.date=2021
dc.identifier.jtitleAttention, Perception & Psychophysics
dc.identifier.doihttps://doi.org/10.3758/s13414-021-02393-z
dc.identifier.urnURN:NBN:no-92316
dc.type.documentTidsskriftartikkel
dc.type.peerreviewedPeer reviewed
dc.source.issn1943-3921
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/89723/2/a912d610-46f8-4ac2-abae-0eebfba07465.pdf
dc.type.versionPublishedVersion
dc.relation.projectNFR/262762
dc.relation.projectUIO/144343
dc.relation.projectNFR/249817
dc.relation.projectNFR/249817/F10


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