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dc.date.accessioned2020-09-29T18:56:28Z
dc.date.available2020-09-29T18:56:28Z
dc.date.created2019-06-11T10:19:05Z
dc.date.issued2019
dc.identifier.citationErdem, Cagri Schia, Katja Henriksen Jensenius, Alexander Refsum . Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance. Music Proceedings of the International Conference on New Interfaces for Musical Expression. 2019. Porto Alegre: Universidade Federal do Rio Grande do Sul
dc.identifier.urihttp://hdl.handle.net/10852/80166
dc.description.abstractWhat if a musician could step outside the familiar instrumental paradigm and adopt a new embodied language for moving through sound with a dancer in true partnership? And what if a dancer’s body could coalesce with a musician’s skills and intuitively render movements into instrumental actions for active sound-making? 'Vrengt' is a multi-user instrument, specifically developed for music-dance performance, with a particular focus on exploring the boundaries between standstill vs motion, and silence vs sound. We sought for creating a work for one, hybrid corporeality, in which a dancer and a musician would co-creatively and co-dependently interact with their bodies and a machine. The challenge, then, was how could two performers with distinct embodied skills unite in a continuous entanglement of intentions, senses and experiences to control the same sonic and musical parameters? This was conceptually different than they had done before in the context of interactive dance performances.en_US
dc.languageEN
dc.publisherUniversidade Federal do Rio Grande do Sul
dc.relation.ispartofProceedings of the International Conference on New Interfaces for Musical Expression
dc.relation.ispartofseriesProceedings of the International Conference on New Interfaces for Musical Expression
dc.rightsAttribution 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.titleVrengt: A Shared Body–Machine Instrument for Music–Dance Performanceen_US
dc.typeChapteren_US
dc.creator.authorErdem, Cagri
dc.creator.authorSchia, Katja Henriksen
dc.creator.authorJensenius, Alexander Refsum
cristin.unitcode185,14,36,95
cristin.unitnameSenter for tverrfaglig forskning på rytme, tid og bevegelse (IMV)
cristin.ispublishedtrue
cristin.fulltextpreprint
cristin.fulltextoriginal
dc.identifier.cristin1703868
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Music Proceedings of the International Conference on New Interfaces for Musical Expression&rft.spage=&rft.date=2019
dc.identifier.pagecount67
dc.identifier.urnURN:NBN:no-83256
dc.type.documentBokkapittelen_US
dc.type.peerreviewedPeer reviewed
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/80166/2/nime2019_music017.pdf
dc.type.versionPublishedVersion
cristin.btitleMusic Proceedings of the International Conference on New Interfaces for Musical Expression
dc.relation.projectNFR/250698
dc.relation.projectNFR/262762


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