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dc.date.accessioned2020-09-25T18:03:23Z
dc.date.available2020-09-25T18:03:23Z
dc.date.created2020-09-08T14:30:23Z
dc.date.issued2020
dc.identifier.citationCâmara, Guilherme Schmidt Nymoen, Kristian Lartillot, Olivier Danielsen, Anne . Timing Is Everything... Or Is It? Effects of Instructed Timing Style, Reference and Pattern on Drum Kit Sound in Groove-Based Performance. Music Perception. 2020, 38(1), 1-26
dc.identifier.urihttp://hdl.handle.net/10852/79965
dc.description.abstractTHIS STUDY REPORTS ON AN EXPERIMENT THAT tested whether drummers systematically manipulated not only onset but also duration and/or intensity of strokes in order to achieve different timing styles. Twenty-two professional drummers performed two patterns (a simple ‘‘back-beat’’ and a complex variation) on a drum kit (hi-hat, snare, kick) in three different timing styles (laid-back, pushed, on-beat), in tandem with two timing references (metronome and instrumental backing track). As expected, onset location corresponded to the instructed timing styles for all instruments. The instrumental reference led to more pronounced timing profiles than the metronome (pushed strokes earlier, laid-back strokes later). Also, overall the metronome reference led to earlier mean onsets than the instrumental reference, possibly related to the ‘‘negative mean asynchrony’’ phenomenon. Regarding sound, results revealed systematic differences across participants in the duration (snare) and intensity (snare and hi-hat) of strokes played using the different timing styles. Pattern also had an impact: drummers generally played the rhythmically more complex pattern 2 louder than the simpler pattern 1 (snare and kick). Overall, our results lend further evidence to the hypothesis that both temporal and sound-related features contribute to the indication of the timing of a rhythmic event in groove-based performance.
dc.languageEN
dc.titleTiming Is Everything... Or Is It? Effects of Instructed Timing Style, Reference and Pattern on Drum Kit Sound in Groove-Based Performance
dc.typeJournal article
dc.creator.authorCâmara, Guilherme Schmidt
dc.creator.authorNymoen, Kristian
dc.creator.authorLartillot, Olivier
dc.creator.authorDanielsen, Anne
cristin.unitcode185,14,36,95
cristin.unitnameSenter for tverrfaglig forskning på rytme, tid og bevegelse (IMV)
cristin.ispublishedfalse
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.cristin1828150
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Music Perception&rft.volume=38&rft.spage=1&rft.date=2020
dc.identifier.jtitleMusic Perception
dc.identifier.volume38
dc.identifier.issue1
dc.identifier.startpage1
dc.identifier.endpage26
dc.identifier.doihttps://doi.org/10.1525/mp.2020.38.1.1
dc.identifier.urnURN:NBN:no-83067
dc.type.documentTidsskriftartikkel
dc.type.peerreviewedPeer reviewed
dc.source.issn0730-7829
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/79965/1/MP3801_01_Camara.pdf
dc.type.versionPublishedVersion
dc.relation.projectNFR/249817
dc.relation.projectNFR/262762
dc.relation.projectUIO/144343


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