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dc.date.accessioned2020-08-18T19:44:42Z
dc.date.available2020-08-18T19:44:42Z
dc.date.created2020-07-13T14:00:02Z
dc.date.issued2020
dc.identifier.citationBishop, Laura Jensenius, Alexander Refsum . Reliability of two infrared motion capture systems in a music performance setting. Proceedings of the 17th Sound and Music Computing Conference. 2020 Axea sas/SMC Network
dc.identifier.urihttp://hdl.handle.net/10852/78536
dc.description.abstractThis paper describes a comparative analysis of tracking quality in two infrared marker-based motion capture systems: one older but high-end (Qualisys, purchased in 2009) and the other newer and mid-range (OptiTrack, purchased in 2019). We recorded performances by a string quartet with both systems simultaneously, using the same frame rate. Our recording set-up included a combination of moving markers (affixed to musicians’ bodies) and stationary markers (affixed to music stands). Higher noise levels were observed in Qualisys recordings of stationary markers than in OptiTrack recordings, as well as a greater spatial range, though OptiTrack recordings had a higher rate of outliers (“spikes” in the signal). In moving markers, increased quantity of motion was associated with increased betweensystem error rates. Both systems showed minimal withintrial drift but a reduction in recording accuracy and precision over the duration of the experiment. Overall, our results show that the older/high-end system (Qualisys) produced slightly lower-quality recordings than the newer/midrange system (OptiTrack). We discuss how our findings may inform researchers’ interpretations of motion capture data, particularly when capturing the types of motion that are important for performing music.
dc.languageEN
dc.publisherAxea sas/SMC Network
dc.relation.ispartofProceedings of the SMC Conferences
dc.relation.ispartofseriesProceedings of the SMC Conferences
dc.rightsAttribution 3.0 Unported
dc.rights.urihttps://creativecommons.org/licenses/by/3.0/
dc.titleReliability of two infrared motion capture systems in a music performance setting
dc.typeChapter
dc.creator.authorBishop, Laura
dc.creator.authorJensenius, Alexander Refsum
cristin.unitcode185,14,36,95
cristin.unitnameSenter for tverrfaglig forskning på rytme, tid og bevegelse (IMV)
cristin.ispublishedtrue
cristin.fulltextoriginal
dc.identifier.cristin1819315
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Proceedings of the 17th Sound and Music Computing Conference&rft.spage=&rft.date=2020
dc.identifier.pagecount462
dc.identifier.urnURN:NBN:no-81613
dc.type.documentBokkapittel
dc.type.peerreviewedPeer reviewed
dc.source.isbn978-88-945415-0-2
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/78536/2/SMCCIM_2020_paper_181.pdf
dc.type.versionPublishedVersion
cristin.btitleProceedings of the 17th Sound and Music Computing Conference
dc.relation.projectNFR/262762
dc.relation.projectNFR/250698


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