dc.date.accessioned | 2020-05-27T18:56:27Z | |
dc.date.available | 2020-05-27T18:56:27Z | |
dc.date.created | 2019-06-17T10:29:12Z | |
dc.date.issued | 2017 | |
dc.identifier.citation | Wilkins, Kim . ‘I don’t know who I am most of the time’: Constructed Identity in Todd Haynes’ I’m Not There. Film Criticism. 2017, 41(1) | |
dc.identifier.uri | http://hdl.handle.net/10852/76345 | |
dc.description.abstract | I'm Not There presents a radical departure from the traditional biopic. Rather than focusing on individual agency as a conduit of history, I'm Not There uses the figure of Bob Dylan as a conduit for identity per se. I'm Not There explores the irreducibility of identity by highlighting biopic representation as a textual construct through intertextual allusion, quotation, and pastiche. | |
dc.language | EN | |
dc.rights | Attribution 3.0 Unported | |
dc.rights.uri | https://creativecommons.org/licenses/by/3.0/ | |
dc.title | ‘I don’t know who I am most of the time’: Constructed Identity in Todd Haynes’ I’m Not There | |
dc.type | Journal article | |
dc.creator.author | Wilkins, Kim | |
cristin.unitcode | 185,14,9,0 | |
cristin.unitname | Institutt for medier og kommunikasjon | |
cristin.ispublished | true | |
cristin.qualitycode | 1 | |
dc.identifier.cristin | 1705305 | |
dc.identifier.bibliographiccitation | info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Film Criticism&rft.volume=41&rft.spage=&rft.date=2017 | |
dc.identifier.jtitle | Film Criticism | |
dc.identifier.volume | 41 | |
dc.identifier.issue | 1 | |
dc.identifier.doi | https://doi.org/10.3998/fc.13761232.0041.103 | |
dc.identifier.urn | URN:NBN:no-79463 | |
dc.type.document | Tidsskriftartikkel | |
dc.type.peerreviewed | Peer reviewed | |
dc.source.issn | 0163-5069 | |
dc.identifier.fulltext | Fulltext https://www.duo.uio.no/bitstream/handle/10852/76345/1/ProQuestDocuments-2020-01-30.pdf | |
dc.type.version | PublishedVersion | |