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dc.contributor.authorKvangraven, Endre Harvold
dc.date.accessioned2019-11-12T23:45:39Z
dc.date.available2019-11-12T23:45:39Z
dc.date.issued2019
dc.identifier.citationKvangraven, Endre Harvold. The wolf as an icon of wildness : romanticization and demonization. Master thesis, University of Oslo, 2019
dc.identifier.urihttp://hdl.handle.net/10852/70805
dc.description.abstractWolves have been demonized and romanticized, feared and admired, figuring as barbaric intruders in some cultures and as kindred spirits in others. This thesis explores what wolves symbolize for different social groups in Norwegian cultural narratives. Through analysis of myths, legends, novels, music and film, the wolf is shown to be a key symbol that contributes to shaping cultural codes, while so-called wolfish behaviour is often human behaviour projected onto wolves. Demonization and fear of wolves are traced back to superstition, folk lore and Christian morality, while romanticization is linked to environmentalism and longing to reconnect with primal nature. Finally, ecological knowledge is shown to be a corrective to narratives of demonization and romanticization in the current wolf debate.eng
dc.language.isoeng
dc.subjectfolk tales
dc.subjectrewilding
dc.subjecthuman–animal studies
dc.subjectnature and culture
dc.subjectcultural landscape
dc.subjectfairy tales
dc.subjectwolves
dc.subjectmyth
dc.subjectwolf management
dc.subjectsuperstition
dc.subjectwilderness
dc.subjectwildness
dc.subjectnature writing
dc.titleThe wolf as an icon of wildness : romanticization and demonizationeng
dc.typeMaster thesis
dc.date.updated2019-11-12T23:45:39Z
dc.creator.authorKvangraven, Endre Harvold
dc.identifier.urnURN:NBN:no-73929
dc.type.documentMasteroppgave
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/70805/1/The-wolf-as-an-icon-of-wildness---romanticization-and-demonization.pdf


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