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dc.contributor.authorBerg, Øyvind Thomkhieo
dc.date.accessioned2019-08-13T23:45:41Z
dc.date.available2019-08-13T23:45:41Z
dc.date.issued2019
dc.identifier.citationBerg, Øyvind Thomkhieo. Music Analysis in Popular and Western Art Musicologies: Interpretation and Power from Trichotomies of Down Under and Pathétique (IV–Adagio lamentoso). Master thesis, University of Oslo, 2019
dc.identifier.urihttp://hdl.handle.net/10852/69111
dc.description.abstractThis master’s thesis explores the scope arising between some of the diffèrent analytical methods found across popular musicology and western art musicology. As a vehicle in this exercise, the contrasting cases of Men At Work’s Down Under and the final movement of Tchaikovsky’s Sixth Symphony (Pathétique), Adagio lamentoso, are subject to bi- and tripartite analyses articulated on at least two levels, and from a range of diffèrent musicological perspectives (ranging from cultural analysis to "old-school" formal analysis).eng
dc.language.isoeng
dc.subjectMusic analysis. Popular musicology. Western art musicology. Down Under. Men At Work. Pathétique. Sixth symphony. Tchaikovsky. Popular music. Western art music. Postmodernism. Modernism. Metamodernism.
dc.titleMusic Analysis in Popular and Western Art Musicologies: Interpretation and Power from Trichotomies of Down Under and Pathétique (IV–Adagio lamentoso)eng
dc.typeMaster thesis
dc.date.updated2019-08-13T23:45:40Z
dc.creator.authorBerg, Øyvind Thomkhieo
dc.identifier.urnURN:NBN:no-72264
dc.type.documentMasteroppgave
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/69111/1/Trykkfil.pdf


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