dc.contributor.author | Berg, Øyvind Thomkhieo | |
dc.date.accessioned | 2019-08-13T23:45:41Z | |
dc.date.available | 2019-08-13T23:45:41Z | |
dc.date.issued | 2019 | |
dc.identifier.citation | Berg, Øyvind Thomkhieo. Music Analysis in Popular and Western Art Musicologies: Interpretation and Power from Trichotomies of Down Under and Pathétique (IV–Adagio lamentoso). Master thesis, University of Oslo, 2019 | |
dc.identifier.uri | http://hdl.handle.net/10852/69111 | |
dc.description.abstract | This master’s thesis explores the scope arising between some of the diffèrent analytical methods found across popular musicology and western art musicology. As a vehicle in this exercise, the contrasting cases of Men At Work’s Down Under and the final movement of Tchaikovsky’s Sixth Symphony (Pathétique), Adagio lamentoso, are subject to bi- and tripartite analyses articulated on at least two levels, and from a range of diffèrent musicological perspectives (ranging from cultural analysis to "old-school" formal analysis). | eng |
dc.language.iso | eng | |
dc.subject | Music analysis. Popular musicology. Western art musicology. Down Under. Men At Work. Pathétique. Sixth symphony. Tchaikovsky. Popular music. Western art music. Postmodernism. Modernism. Metamodernism. | |
dc.title | Music Analysis in Popular and Western Art Musicologies: Interpretation and Power from Trichotomies of Down Under and Pathétique (IV–Adagio lamentoso) | eng |
dc.type | Master thesis | |
dc.date.updated | 2019-08-13T23:45:40Z | |
dc.creator.author | Berg, Øyvind Thomkhieo | |
dc.identifier.urn | URN:NBN:no-72264 | |
dc.type.document | Masteroppgave | |
dc.identifier.fulltext | Fulltext https://www.duo.uio.no/bitstream/handle/10852/69111/1/Trykkfil.pdf | |