dc.date.accessioned | 2019-06-26T05:30:26Z | |
dc.date.available | 2019-06-26T05:30:26Z | |
dc.date.created | 2019-06-11T10:13:48Z | |
dc.date.issued | 2019 | |
dc.identifier.citation | Erdem, Cagri Schia, Katja Henriksen Jensenius, Alexander Refsum . Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. 2019. Porto Alegre: Universidade Federal do Rio Grande do Sul | |
dc.identifier.uri | http://hdl.handle.net/10852/68514 | |
dc.description.abstract | This paper describes the process of developing a shared instrument for music–dance performance, with a particular focus on exploring the boundaries between standstill vs motion, and silence vs sound. The piece Vrengt grew from the idea of enabling a true partnership between a musician and a dancer, developing an instrument that would allow for active co-performance. Using a participatory design approach, we worked with sonification as a tool for systematically exploring the dancer’s bodily expressions. The exploration used a “spatiotemporal matrix,” with a particular focus on sonic microinteraction. In the final performance, two Myo armbands were used for capturing muscle activity of the arm and leg of the dancer, together with a wireless headset microphone capturing the sound of breathing. In the paper we reflect on multi-user instrument paradigms, discuss our approach to creating a shared instrument using sonification as a tool for the sound design, and reflect on the performers’ subjective evaluation of the instrument. | |
dc.language | EN | |
dc.publisher | Universidade Federal do Rio Grande do Sul | |
dc.relation.ispartof | Proceedings of the International Conference on New Interfaces for Musical Expression | |
dc.relation.ispartofseries | Proceedings of the International Conference on New Interfaces for Musical Expression | |
dc.rights | Attribution 4.0 International | |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.title | Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance | |
dc.type | Chapter | |
dc.creator.author | Erdem, Cagri | |
dc.creator.author | Schia, Katja Henriksen | |
dc.creator.author | Jensenius, Alexander Refsum | |
cristin.unitcode | 185,14,36,95 | |
cristin.unitname | Senter for tverrfaglig forskning på rytme, tid og bevegelse (IMV) | |
cristin.ispublished | true | |
cristin.fulltext | original | |
dc.identifier.cristin | 1703859 | |
dc.identifier.bibliographiccitation | info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Proceedings of the International Conference on New Interfaces for Musical Expression&rft.spage=&rft.date=2019 | |
dc.identifier.pagecount | 500 | |
dc.identifier.urn | URN:NBN:no-71666 | |
dc.type.document | Bokkapittel | |
dc.type.peerreviewed | Peer reviewed | |
dc.identifier.fulltext | Fulltext https://www.duo.uio.no/bitstream/handle/10852/68514/1/Vrengt_NIME19_paper.pdf | |
dc.type.version | PublishedVersion | |
cristin.btitle | Proceedings of the International Conference on New Interfaces for Musical Expression | |