dc.date.accessioned | 2018-11-15T16:25:46Z | |
dc.date.available | 2018-11-15T16:25:46Z | |
dc.date.created | 2018-06-23T20:47:16Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | Gonzalez Sanchez, Victor Evaristo Martin, Charles Patrick Zelechowska, Agata Bjerkestrand, Kari Anne Vadstensvik Johnson, Victoria Jensenius, Alexander Refsum . Bela-based augmented acoustic guitars for sonic microinteraction. Proceedings of the International Conference On New Interfaces For Musical Expression. 2018, 324-327. Blacksburg, VA: Virginia Tech | |
dc.identifier.uri | http://hdl.handle.net/10852/65556 | |
dc.description.abstract | This article describes the design and construction of a collection of digitally-controlled augmented acoustic guitars, and the use of these guitars in the installation \textit\{Sverm-Resonans\}. The installation was built around the idea of exploring `inverse’ sonic microinteraction, that is, controlling sounds by the micromotion observed when attempting to stand still. It consisted of six acoustic guitars, each equipped with a Bela embedded computer for sound processing (in Pure Data), an infrared distance sensor to detect the presence of users, and an actuator attached to the guitar body to produce sound. With an attached battery pack, the result was a set of completely autonomous instruments that were easy to hang in a gallery space. The installation encouraged explorations on the boundary between the tactile and the kinesthetic, the body and the mind, and between motion and sound. The use of guitars, albeit with an untraditional `performance’ technique, made the experience both familiar and unfamiliar at the same time. Many users reported heightened sensations of stillness, sound, and vibration, and that the `inverse’ control of the instrument was both challenging and pleasant. | |
dc.description.abstract | Bela-based augmented acoustic guitars for sonic microinteraction | |
dc.language | EN | |
dc.publisher | Virginia Tech | |
dc.relation.ispartof | Proceedings of the International Conference on New Interfaces for Musical Expression | |
dc.relation.ispartofseries | Proceedings of the International Conference on New Interfaces for Musical Expression | |
dc.rights | Attribution 4.0 International | |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.title | Bela-based augmented acoustic guitars for sonic microinteraction | |
dc.title.alternative | ENEngelskEnglishBela-based augmented acoustic guitars for sonic microinteraction | |
dc.type | Chapter | |
dc.creator.author | Gonzalez Sanchez, Victor Evaristo | |
dc.creator.author | Martin, Charles Patrick | |
dc.creator.author | Zelechowska, Agata | |
dc.creator.author | Bjerkestrand, Kari Anne Vadstensvik | |
dc.creator.author | Johnson, Victoria | |
dc.creator.author | Jensenius, Alexander Refsum | |
cristin.unitcode | 185,14,36,0 | |
cristin.unitname | Institutt for musikkvitenskap | |
cristin.ispublished | true | |
cristin.fulltext | original | |
dc.identifier.cristin | 1593440 | |
dc.identifier.bibliographiccitation | info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Proceedings of the International Conference On New Interfaces For Musical Expression&rft.spage=324&rft.date=2018 | |
dc.identifier.startpage | 324 | |
dc.identifier.endpage | 327 | |
dc.identifier.pagecount | 500 | |
dc.identifier.urn | URN:NBN:no-68219 | |
dc.type.document | Bokkapittel | |
dc.type.peerreviewed | Peer reviewed | |
dc.identifier.fulltext | Fulltext https://www.duo.uio.no/bitstream/handle/10852/65556/1/nime2018_paper0068.pdf | |
dc.type.version | PublishedVersion | |
cristin.btitle | Proceedings of the International Conference On New Interfaces For Musical Expression | |
dc.relation.project | NFR/262762 | |
dc.relation.project | NFR/250698 | |