Original version
Literature and Honour. 2017, 189-216, DOI: http://dx.doi.org/10.18261/9788215029559-2017-11
Abstract
The novel is read as a literary dystopia and an honour narrative by suggesting that the misanthropy in the novel and the Marcussian repressive tolerance of the welfare state, are dystopian expressions of the lack of traditional honour culture. The novel tries to oppose this by its main plot: the depiction of the two protagonists’ radical and rebellious resistance work. This is seen as a utopian initiative, promoted by the need to revitalise a kind of traditional honour culture.