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dc.date.accessioned2018-08-20T14:54:50Z
dc.date.available2018-10-20T22:31:10Z
dc.date.created2017-06-07T10:39:59Z
dc.date.issued2017
dc.identifier.citationGodøy, Rolf Inge . Postures and motion shaping musical experience. The Routledge Companion to Embodied Music Interaction. 2017, 113-121 Routledge
dc.identifier.urihttp://hdl.handle.net/10852/63261
dc.description.abstractAbstract: Sound-producing body motion and associated body postures shape musical sound in interaction with musical instruments or the vocal apparatus, making images of such body motion and postures integral to our experiences of music. In this chapter we shall look at some sound-producing body motion features, and focus on how postures at salient moments in time serve as landmarks for both motion and sound, as well as how the fusion of small-scale motion units and sounds by so-called coarticulation creates posture-centered sound-motion objects in musical experience. © 2017 Routledgeen_US
dc.languageEN
dc.publisherRoutledge
dc.titlePostures and motion shaping musical experienceen_US
dc.typeChapteren_US
dc.creator.authorGodøy, Rolf Inge
cristin.unitcode185,14,36,0
cristin.unitnameInstitutt for musikkvitenskap
cristin.ispublishedtrue
cristin.fulltextpreprint
dc.identifier.cristin1474448
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=The Routledge Companion to Embodied Music Interaction&rft.spage=113&rft.date=2017
dc.identifier.startpage113
dc.identifier.endpage121
dc.identifier.pagecount512
dc.identifier.urnURN:NBN:no-65810
dc.type.documentBokkapittelen_US
dc.source.isbn9781138657403
dc.identifier.fulltextFulltext https://www.duo.uio.no/bitstream/handle/10852/63261/2/Postures_and_motion_draft.pdf
dc.type.versionSubmittedVersion
cristin.btitleThe Routledge Companion to Embodied Music Interaction


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