dc.date.accessioned | 2018-02-06T15:42:14Z | |
dc.date.available | 2019-07-11T22:46:35Z | |
dc.date.created | 2018-01-29T11:59:14Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | Brøvig-Hanssen, Ragnhild . Listening To or Through Technology: Opaque and Transparent Mediation. Critical Approaches to the Production of Music and Sound. 2018, 195-210 Bloomsbury Academic | |
dc.identifier.uri | http://hdl.handle.net/10852/59906 | |
dc.description.abstract | This is an Accepted Manuscript of a book chapter published by Bloomsbury Academic in Critical Approaches to the Production of Music and Sound on 11-01-2018 , available online: https://www.bloomsbury.com/9781501332050 | en_US |
dc.language | EN | |
dc.language.iso | en | en_US |
dc.publisher | Bloomsbury Academic | |
dc.title | Listening To or Through Technology: Opaque and Transparent Mediation | en_US |
dc.type | Chapter | en_US |
dc.creator.author | Brøvig-Hanssen, Ragnhild | |
cristin.unitcode | 185,14,36,0 | |
cristin.unitname | Institutt for musikkvitenskap | |
cristin.ispublished | true | |
cristin.fulltext | postprint | |
dc.identifier.cristin | 1554437 | |
dc.identifier.bibliographiccitation | info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Critical Approaches to the Production of Music and Sound&rft.spage=195&rft.date=2018 | |
dc.identifier.startpage | 195 | |
dc.identifier.endpage | 210 | |
dc.identifier.pagecount | 274 | |
dc.identifier.urn | URN:NBN:no-62554 | |
dc.type.document | Bokkapittel | en_US |
dc.type.peerreviewed | Peer reviewed | |
dc.source.isbn | 9781501332 | |
dc.identifier.fulltext | Fulltext https://www.duo.uio.no/bitstream/handle/10852/59906/2/BROVIGHANSSEN_Listening%2Bto.pdf | |
dc.type.version | AcceptedVersion | |
cristin.btitle | Critical Approaches to the Production of Music and Sound | |