dc.date.accessioned | 2017-07-03T11:09:53Z | |
dc.date.available | 2017-07-03T11:09:53Z | |
dc.date.created | 2015-10-22T18:35:40Z | |
dc.date.issued | 2015 | |
dc.identifier.citation | Danielsen, Anne Waadeland, Carl Haakon Sundt, Henrik G. Witek, Maria . Effects of instructed timing and tempo on snare drum sound in drum kit performance. Journal of the Acoustical Society of America. 2015, 138(4), 2301-2316 | |
dc.identifier.uri | http://hdl.handle.net/10852/55787 | |
dc.description.abstract | This paper reports on an experiment investigating the expressive means with which performers of groove-based musics signal the intended timing of a rhythmic event. Ten expert drummers were instructed to perform a rock pattern in three different tempi and three different timing styles: “laid-back,” “on-the-beat,” and “pushed.” The results show that there were systematic differences in the intensity and timbre (i.e., sound-pressure level, temporal centroid, and spectral centroid) of series of snare strokes played with these different timing styles at the individual level. A common pattern was found across subjects concerning the effect of instructed timing on sound-pressure level: a majority of the drummers played laid-back strokes louder than on-the-beat strokes. Furthermore, when the tempo increased, there was a general increase in sound-pressure level and a decrease in spectral centroid across subjects. The results show that both temporal and sound-related features are important in order to indicate that a rhythmic event has been played intentionally early, late, or on-the-beat, and provide insight into the ways in which musicians communicate at the microrhythmic level in groove-based musics.
This research has been published in the Journal of the Acoustical Society of America. © Acoustical Society of America. | |
dc.language | EN | |
dc.publisher | Acoustical Society of America (ASA) | |
dc.title | Effects of instructed timing and tempo on snare drum sound in drum kit performance | |
dc.type | Journal article | |
dc.creator.author | Danielsen, Anne | |
dc.creator.author | Waadeland, Carl Haakon | |
dc.creator.author | Sundt, Henrik G. | |
dc.creator.author | Witek, Maria | |
cristin.unitcode | 185,14,36,0 | |
cristin.unitname | Institutt for musikkvitenskap | |
cristin.ispublished | true | |
cristin.fulltext | original | |
cristin.qualitycode | 2 | |
dc.identifier.cristin | 1282884 | |
dc.identifier.bibliographiccitation | info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Journal of the Acoustical Society of America&rft.volume=138&rft.spage=2301&rft.date=2015 | |
dc.identifier.jtitle | Journal of the Acoustical Society of America | |
dc.identifier.volume | 138 | |
dc.identifier.issue | 4 | |
dc.identifier.startpage | 2301 | |
dc.identifier.endpage | 2316 | |
dc.identifier.doi | http://dx.doi.org/10.1121/1.4930950 | |
dc.identifier.urn | URN:NBN:no-58554 | |
dc.type.document | Tidsskriftartikkel | |
dc.type.peerreviewed | Peer reviewed | |
dc.source.issn | 0001-4966 | |
dc.identifier.fulltext | Fulltext https://www.duo.uio.no/bitstream/handle/10852/55787/4/Effects_Timing_Tempo_DUO.pdf | |
dc.type.version | AcceptedVersion | |