| dc.date.accessioned | 2014-03-13T12:41:35Z | |
| dc.date.available | 2014-03-13T12:41:35Z | |
| dc.date.issued | 2010 | en_US |
| dc.date.submitted | 2009-06-24 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10852/27250 | |
| dc.description.abstract | The term "convergence" has been used to describe the media developments following digitalization. In this article, I argue that while convergence was a suitable term to describe the first developments, it is no longer fitting. Convergence levelled out the differences between media, allowing for the developments we now see, and for which I propose the term "remix". Using YouTube as an example, I outline how genre developments may be seen as remixes of earlier genres, how remixing has become a widespread creative practice, and how online media also remix power relations between media owners and their audience.
The original publication is available from http://www.springerlink.com | eng |
| dc.language.iso | eng | en_US |
| dc.title | After Convergence: YouTube and Remix Culture | en_US |
| dc.type | Chapter | en_US |
| dc.date.updated | 2014-03-10 | en_US |
| dc.creator.author | Fagerjord, Anders | en_US |
| dc.subject.nsi | VDP::310 | en_US |
| dc.identifier.cristin | 45168 | en_US |
| dc.identifier.startpage | 187 | |
| dc.identifier.endpage | 200 | |
| dc.identifier.doi | 10.1007/978-1-4020-9789-8_11 | |
| dc.identifier.urn | URN:NBN:no-22201 | en_US |
| dc.type.document | Bokkapittel | en_US |
| dc.identifier.duo | 93071 | en_US |
| dc.type.peerreviewed | Peer reviewed | en_US |
| dc.identifier.fulltext | Fulltext https://www.duo.uio.no/bitstream/handle/10852/27250/1/Fagerjord_AfterConvergencePreprint.pdf | |
| dc.type.version | AcceptedVersion | |
| cristin.btitle | International Handbook of Internet Research | |