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dc.date.accessioned2013-03-12T11:41:47Z
dc.date.available2013-03-12T11:41:47Z
dc.date.issued2003en_US
dc.date.submitted2003-10-13en_US
dc.identifier.citationGelo, Malgorzata Barbara. F. Scott Fitzgerald's The Great Gatsby seen through two different forms of art - literature and film. Hovedoppgave, University of Oslo, 2003en_US
dc.identifier.urihttp://hdl.handle.net/10852/25301
dc.description.abstractThis thesis investigates the close connection between film and literature. It analysis three pieces of work - the novel The Great Gatsby by F. Scott Fitzgerald and two of its adaptations, one from 1974 directed by Jack Clayton and the other one, the TV version, from 2001 directed by Robert Markowitz. It presents the most characteristic features of every piece, and the mutual influence of film and literature. It discusses the differences and similarities between the two forms of media based on the structure, use of narrator, perspective, symbols, etc. The thesis also briefly presents the social and historic background in which the action of the story takes place, namely the Twenties.nor
dc.language.isoengen_US
dc.titleF. Scott Fitzgerald's The Great Gatsby seen through two different forms of art - literature and filmen_US
dc.typeMaster thesisen_US
dc.date.updated2006-01-04en_US
dc.creator.authorGelo, Malgorzata Barbaraen_US
dc.subject.nsiVDP::020en_US
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft.au=Gelo, Malgorzata Barbara&rft.title=F. Scott Fitzgerald's The Great Gatsby seen through two different forms of art - literature and film&rft.inst=University of Oslo&rft.date=2003&rft.degree=Hovedoppgaveen_US
dc.identifier.urnURN:NBN:no-8663en_US
dc.type.documentHovedoppgaveen_US
dc.identifier.duo13695en_US
dc.contributor.supervisorJakob Lotheen_US
dc.identifier.bibsys040735168en_US


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