dc.date.accessioned | 2013-03-12T11:34:54Z | |
dc.date.available | 2013-03-12T11:34:54Z | |
dc.date.issued | 2008 | en_US |
dc.date.submitted | 2008-11-10 | en_US |
dc.identifier.citation | Tveitan, Marthe. Bricolage . Masteroppgave, University of Oslo, 2008 | en_US |
dc.identifier.uri | http://hdl.handle.net/10852/24755 | |
dc.description.abstract | The purpose of this dissertation project has been to find out whether the bricolage concept of social anthropologist Claude Lévi-Strauss can possibly offer interesting perspectives on how cultural identity is negotiated through the visual arts. Two contemporary artists and their work have been central to this experiment; Brian Jungen (Canada) and Romuald Hazoumé (Benin). My argument is that Jungen’s sculpture and assemblage series, Prototypes for a New Understanding (1998-2005), and Hazoumé’s installation La Bouche du Roi (1997-2005), serve as examples of Lévi-Strauss’ bricolage concept and that they thus exhibit an ongoing process of negotiating the formation of cultural identity. In order to define what I mean by cultural identity, I have made use of cultural theorist Homi K. Bhabha’s Hybridity theory. I argue that Bhabha’s theory of Hybridity opens up the notion of identity to flexibility and change. Consequently, Bhabha’s notion of Hybridity goes well with Lévi-Strauss’ bricolage concept.
The text can roughly be divided into two parts. The first part addresses the question of whether the bricolage concept serves a purpose as a strategy of interpretation or not within a discussion of Jungen and Hazoumé’s artworks. The second part addresses questions about the formation of cultural identity and how cultural identity surface in the art of Jungen and Hazoume. | eng |
dc.language.iso | eng | en_US |
dc.title | Bricolage : a comparative reading of Brian Jungen's Prototype for a new understanding and Romuald Hazoumé's La Bouche du roi | en_US |
dc.type | Master thesis | en_US |
dc.date.updated | 2009-03-14 | en_US |
dc.creator.author | Tveitan, Marthe | en_US |
dc.subject.nsi | VDP::120 | en_US |
dc.identifier.bibliographiccitation | info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft.au=Tveitan, Marthe&rft.title=Bricolage &rft.inst=University of Oslo&rft.date=2008&rft.degree=Masteroppgave | en_US |
dc.identifier.urn | URN:NBN:no-21268 | en_US |
dc.type.document | Masteroppgave | en_US |
dc.identifier.duo | 86733 | en_US |
dc.contributor.supervisor | Erik Mørstad | en_US |
dc.identifier.bibsys | 091804175 | en_US |
dc.identifier.fulltext | Fulltext https://www.duo.uio.no/bitstream/handle/10852/24755/2/ArtxHistoryxMAxThesisxMarthexTveitanxFallxTermx2008%5B1%5D.pdf | |