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(Master thesis / Masteroppgave, 2012)
(Master thesis / Masteroppgave, 2012)
Hedda Gabler is among the most commented and staged Henrik Ibsen's plays. It illustrates Ibsen's deep understanding of women's problems, desires and behavior. The protagonist is a very intense and puzzling character. She ...
(Master thesis / Masteroppgave, 2012)
Ibsen in the Theater of Meyerhold Begrenset tilgang
(Master thesis / Masteroppgave, 2019)
Hedda with and without hijab (The influence of different sites on Juni Dahr’s Hedda Gabler) Begrenset tilgang
(Master thesis / Masteroppgave, 2018)
(Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2015)
This article considers Hallvard Bræin’s 2008 film adaptation of Peer Gynt in light of theories of the post-secular. It argues that the film presents a post-secular interpretation of the ambiguous message of salvation at ...
(Master thesis / Masteroppgave, 2010)
Kan man se Henrik Ibsen som en forløper for Samuel Beckett, i den forstand at Ibsen kan sies å innlede det Beckett i sine dramaer sluttfører? I Peter Szondis Theorie des modernen Dramas 1880-1950 (1956/1972) behandles både ...
(Master thesis / Masteroppgave, 2010)
Almost no any other country owned so many performances of A Doll’s House as China, especially in the certain periods, for example, May Fourth Movement period and in 1930s, A Doll’s House is performed in China more frequently ...
(Master thesis / Masteroppgave, 2008)
The aim of this thesis is to discuss whether Ibsen’s female characters indeed qualify as tragic heroines, that is, whether or not they epitomize in Ibsen’s acceptance the generic concept of “The Tragic Muse”. Due to the ...
(Master thesis / Masteroppgave, 2007)
The theme of my thesis is the sacrifice of female characters in some of Ibsen’s plays. The questions that I want to ask are the following: Why do these heroines sacrifice their lives and what does their sacrifice consist ...