Browsing Institutt for musikkvitenskap by Author "London, Justin"

Now showing items 1-4 of 4

  • A comparison of methods for investigating the perceptual center of musical sounds 
    London, Justin; Nymoen, Kristian; Langerød, Martin Torvik; Thompson, Marc Richard; Code, David Løberg; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    In speech and music, the acoustic and perceptual onset(s) of a sound are usually not congruent with its perceived temporal location. Rather, these "P-centers" are heard some milliseconds after the acoustic onset, and a ...
  • Sounds familiar(?): Expertise with specific musical genres modulates timing perception and micro-level synchronization to auditory stimuli 
    Danielsen, Anne; Nymoen, Kristian; Langerød, Martin Torvik; Jacobsen, Eirik; Johansson, Mats Sigvard; London, Justin (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2021)
    Abstract Musical expertise improves the precision of timing perception and performance – but is this expertise generic, or is it tied to the specific style(s) and genre(s) of one’s musical training? We asked expert musicians ...
  • There’s More to Timing than Time: Investigating Musical Microrhythm Across Disciplines and Cultures 
    Danielsen, Anne; Brøvig, Ragnhild; Bøhler, Kjetil Klette; Câmara, Guilherme Schmidt; Haugen, Mari Romarheim; Jacobsen, Eirik; Johansson, Mats Sigvard; Lartillot, Olivier Serge Gabriel; Nymoen, Kristian; Oddekalv, Kjell Andreas; Sandvik, Bjørnar; Sioros, Georgios; London, Justin (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2024)
    The TIME project: Timing and Sound in Musical Microrhythm (2017–2022) studied microrhythm; that is, how dynamic envelope, timbre, and center frequency, as well as the microtiming of a variety of sounds, affect their perceived ...
  • Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox 
    Nymoen, Kristian; Danielsen, Anne; London, Justin (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    The attack phase of sound events plays an important role in how sounds and music are perceived. Several approaches have been suggested for locating salient time points and critical time spans within the attack portion of ...