Now showing items 1-6 of 6

  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    In this paper, we report on a free-hand motion capture study in which 32 participants ‘traced’ 16 melodic vocal phrases with their hands in the air in two experimental conditions. Melodic contours are often thought of as ...
  • Kelkar, Tejaswinee (Doctoral thesis / Doktoravhandling, 2019)
    The aim of this dissertation is to understand the role of embodiment in melodic contour perception. In other words, it studies how we move our bodies in response to music. Melodies play an important role in both speech and ...
  • Kelkar, Tejaswinee; Roy, Udit; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Melodic contour, the ‘shape’ of a melody, is a common way to visualize and remember a musical piece. The purpose of this paper is to explore the building blocks of a future ‘gesture-based’ melody retrieval system. We present ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
    Pitch and spatial height are often associated when describing music. In this paper we present results from a sound tracing study in which we investigate such sound–motion relationships. The subjects were asked to move as ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    This paper describes an experiment in which the subjects performed a sound-tracing task to vocal melodies. They could move freely in the air with two hands, and their motion was captured using an infrared, marker-based ...
  • Patel-Grosz, Pritty; Grosz, Patrick Georg; Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2022)
    Abstract As formal theoretical linguistic methodology has matured, recent years have seen the advent of applying it to objects of study that transcend language, e.g., to the syntax and semantics of music (Lerdahl ...