Browsing Institutt for musikkvitenskap by Author "Brøvig-Hanssen, Ragnhild"

Now showing items 1-8 of 8

  • Justin Bieber Featuring Slipknot: Consumption as Mode of Production 
    Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
    The chapter is taken from the book: The Oxford Handbook of Music and Virtuality edited by Sheila Whiteley and Shara Rambarran, 2016, reproduced by permission of Oxford University Press https://doi.org/10.1093/oxfordhb/97 ...
  • Listening To or Through Technology: Opaque and Transparent Mediation 
    Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    This is an Accepted Manuscript of a book chapter published by Bloomsbury Academic in Critical Approaches to the Production of Music and Sound on 11-01-2018 , available online: https://www.bloomsbury.com/9781501332050
  • Music in Bits and Bits of Music: Signatures of Digital Mediation in Popular Music Recordings 
    Brøvig-Hanssen, Ragnhild (Doctoral thesis / Doktoravhandling, 2013)
    Technological mediation has been imperative to popular music's production throughout its history. In addition to their impact upon the means of producing popular music, new developments in technology have always had an ...
  • Music Production: Recording Technology and Acousmatic Listening 
    Brøvig-Hanssen, Ragnhild; Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    Recorded sound is acousmatic, meaning that it does not display any visual sound sources. When people listen to recorded/acousmatic sound, they generally apply their previous experiences with the acoustical conditions of ...
  • The Naturalised and the Surreal: changes in the perception of popular music sound 
    Brøvig-Hanssen, Ragnhild; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
    In a musical context, the word ‘sound’ implies a set of sonic characteristics. Within popular music, this notion of sound sometimes supplies the very identity of a tune, a band or a musician. Sound is often conceptualised ...
  • Opaque Mediation: The Cut-and-Paste Groove in DJ Food’s “Break” 
    Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    This is an Accepted Manuscript of a book chapter published by Routledge in Musical Rhythm in the Age of Digital Reproduction in 2013, available online: http://www.routledge.com/9781138246843
  • Remiksens retrett? Innvirkningen av plattformers gjenkjenninsprosedyrer på mashups 
    Brøvig-Hanssen, Ragnhild; Jones, Ellis Nathaniel (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Mange av dagens internettplattformer bruker automatiske og algoritmiske verktøy for å gjenkjenne og moderere uønsket innhold, inkludert det som blir ansett for å krenke opphavsretten. Denne artikkelen undersøker hvordan ...
  • The Organic Grid: Sound and Timing in Electronic Dance Music 
    Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar; Aareskjold-Drecker, Jon Marius; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2022)
    Researchers have argued that temporal microdeviations from the metric grid, such as those produced by musicians in performance, are crucial to making a musical rhythm groovy and danceable. It is curious, then, that the ...