A mini acoustic chamber for small-scale sound experiments

dc.date.accessioned	2024-07-01T10:56:30Z
dc.date.available	2024-07-01T10:56:30Z
dc.date.created	2022-10-18T00:23:40Z
dc.date.issued	2022
dc.identifier.citation	Kwak, Dongho Krzyzaniak, Michael Joseph Danielsen, Anne Jensenius, Alexander Refsum . A mini acoustic chamber for small-scale sound experiments. Audio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction. 2022, 143-146 ACM Publications
dc.identifier.uri	http://hdl.handle.net/10852/111371
dc.description.abstract	This paper describes the design and construction of a mini acoustic chamber using low-cost materials. The primary purpose is to provide an acoustically treated environment for small-scale sound measurements and experiments using ≤ 10-inch speakers. Testing with different types of speakers showed frequency responses of < 10 dB peak-to-peak (except the ”boxiness” range below 900 Hz), and the acoustic insulation (soundproofing) of the chamber is highly efficient (approximately 20 dB SPL in reduction). Therefore, it provides a significant advantage in conducting experiments requiring a small room with consistent frequency response and preventing unwanted noise and hearing damage. Additionally, using a cost-effective and compact acoustic chamber gives flexibility when characterizing a small-scale setup and sound stimuli used in experiments.
dc.description.abstract	A mini acoustic chamber for small-scale sound experiments
dc.language	EN
dc.publisher	ACM Publications
dc.rights	Attribution 4.0 International
dc.rights.uri	https://creativecommons.org/licenses/by/4.0/
dc.title	A mini acoustic chamber for small-scale sound experiments
dc.title.alternative	ENEngelskEnglishA mini acoustic chamber for small-scale sound experiments
dc.type	Chapter
dc.creator.author	Kwak, Dongho
dc.creator.author	Krzyzaniak, Michael Joseph
dc.creator.author	Danielsen, Anne
dc.creator.author	Jensenius, Alexander Refsum
cristin.unitcode	185,14,36,95
cristin.unitname	RITMO (IMV) Senter for tverrfaglig forskning på rytme, tid og bevegelse
cristin.ispublished	true
cristin.fulltext	original
dc.identifier.cristin	2062246
dc.identifier.bibliographiccitation	info:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Audio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction&rft.spage=143&rft.date=2022
dc.identifier.startpage	143
dc.identifier.endpage	146
dc.identifier.pagecount	500
dc.identifier.doi	https://doi.org/10.1145/3561212.3561223
dc.type.document	Bokkapittel
dc.type.peerreviewed	Peer reviewed
dc.source.isbn	978-1-4503-9701-8
dc.type.version	PublishedVersion
cristin.btitle	Audio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction
dc.relation.project	NFR/262613
dc.relation.project	NFR/262762