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dc.date.accessioned2024-06-24T15:09:51Z
dc.date.available2024-06-24T15:09:51Z
dc.date.created2024-05-31T22:02:25Z
dc.date.issued2024
dc.identifier.citationPouillard, Véronique . Licensing luxury fashion in transatlantic and colonial economies: beyond Paris and New York. Revista de Ensino em Artes, Moda e Design. 2024, 8(2), 01-22
dc.identifier.urihttp://hdl.handle.net/10852/111201
dc.description.abstractDuring the postwar era, luxury fashion firms entered a new phase of their international growth with the licensing of their brands. The French haute couture firm Dior was pioneer in licenses, and established branches in a series of countries around the world. Inspired by the transatlantic successes of firms such as Jean Dessès, Christian Dior, and Norman Hartnell, French luxury firms registered their brands internationally and replicated the registration of trademarks in numerous countries. This paper further examines the reach of luxury fashion and beauty brands in the colonies of France and of Belgium. This shows that the fashion firms expanded their transatlantic expertise, and that this created newer transatlantic circuits in return.
dc.languageEN
dc.publisherUniversidade Estadual de Santa Catarina
dc.rightsAttribution 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.titleLicensing luxury fashion in transatlantic and colonial economies: beyond Paris and New York
dc.title.alternativeENEngelskEnglishLicensing luxury fashion in transatlantic and colonial economies: beyond Paris and New York
dc.typeJournal article
dc.creator.authorPouillard, Véronique
cristin.unitcode185,14,31,0
cristin.unitnameInstitutt for arkeologi, konservering og historie
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1
dc.identifier.cristin2272645
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Revista de Ensino em Artes, Moda e Design&rft.volume=8&rft.spage=01&rft.date=2024
dc.identifier.jtitleRevista de Ensino em Artes, Moda e Design
dc.identifier.volume8
dc.identifier.issue2
dc.identifier.startpage01
dc.identifier.endpage22
dc.identifier.doihttp://dx.doi.org/10.5965/25944630822024e5189
dc.type.documentTidsskriftartikkel
dc.type.peerreviewedPeer reviewed
dc.source.issn2594-4630
dc.type.versionPublishedVersion


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Attribution 4.0 International
This item's license is: Attribution 4.0 International