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dc.date.accessioned2023-03-09T16:40:16Z
dc.date.available2023-03-09T16:40:16Z
dc.date.created2022-10-15T11:06:06Z
dc.date.issued2022
dc.identifier.citationLesteberg, Mari Jensenius, Alexander Refsum . MICRO and MACRO - Developing New Accessible Musicking Technologies. Audio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction. 2022, 147-150 ACM Publications
dc.identifier.urihttp://hdl.handle.net/10852/101114
dc.description.abstractThis paper describes the development of two musical instrument prototypes developed to explore how non-haptic music technologies can be accessed from a web browser and how they can offer accessibility for people with low fine motor skills. Two approaches to browser-based motion capture were developed and tested during an iterative design process. This was followed by observational studies of two user groups: one with low fine motor skills and one with normal motor skills. Contrary to our expectations, we found that avoiding the use of buttons and mice did not make the apps more accessible for the participants with low fine motor skills. Furthermore, motion speed was considered more important for people with low motor skills than the size of the control action. The most important finding is that browser-based musical instruments using sensor-based and video-based motion tracking are not only feasible but allow for reaching much larger groups of people than previously possible. This may ultimately lead to both more personalized and accessible musical experiences.
dc.description.abstractMICRO and MACRO - Developing New Accessible Musicking Technologies
dc.languageEN
dc.publisherACM Publications
dc.rightsAttribution 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.titleMICRO and MACRO - Developing New Accessible Musicking Technologies
dc.title.alternativeENEngelskEnglishMICRO and MACRO - Developing New Accessible Musicking Technologies
dc.typeChapter
dc.creator.authorLesteberg, Mari
dc.creator.authorJensenius, Alexander Refsum
cristin.unitcode185,14,36,0
cristin.unitnameInstitutt for musikkvitenskap
cristin.ispublishedtrue
cristin.fulltextoriginal
dc.identifier.cristin2061616
dc.identifier.bibliographiccitationinfo:ofi/fmt:kev:mtx:ctx&ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.btitle=Audio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction&rft.spage=147&rft.date=2022
dc.identifier.startpage147
dc.identifier.endpage150
dc.identifier.pagecount500
dc.identifier.doihttps://doi.org/10.1145/3561212.3561231
dc.type.documentBokkapittel
dc.type.peerreviewedPeer reviewed
dc.source.isbn978-1-4503-9701-8
dc.type.versionPublishedVersion
cristin.btitleAudio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction
dc.relation.projectNFR/262762
dc.relation.projectNFR/274996
dc.relation.projectNFR/250698
dc.relation.projectNFR/322364
dc.relation.projectNFR/324003


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Attribution 4.0 International
This item's license is: Attribution 4.0 International